Performance as Publishing
— Francesco Pedraglio
The evidence of an object
Focusing on both the conceptual and the practical difficulties of storytelling, the performance The evidence of an object, finds its starting point on the idea that any story, as much as it creates dependency for its listeners, it depends from their interpretative will.
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A few stories in the shape of abstract objects
A few stories in the shape of abstract objects, performed for the first time at Performance as Publishing, is based on a text that uses invisibility and abstraction. Pedraglio’s work attempts to demonstrate the existence of non-experiential memories and their link with the production of abstract objects.
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