In Giles Bailey’s performance the sound of Acconci’s video Undertone (1972) that has been widely circulated on the internet, is faded out and Bailey delivers a monologue that constructs an alternative narrative, a counterpoint redolent with the clichés of a cinematic love story and replete with car chases and betrayal. Bailey becomes a vicarious counterpart to Acconci’s narcissism, living a fantasy through the structure of his video rather than the vivid sexual act he describes.
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