Performance as Publishing

PaperWork: iilwimi lipsing, serf, Leeds

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“I like how it sounds a bit like wimmin. Wimmin-ing. It’s queer and i and i, like we. It’s lots. Very plural-y. And very very and so. Sounds like lips and ellipses and singing and kissing and something about size, like a thing that is small and growing. It’s funny how ppl get upset from internet comments about bad lipsing. Lipsing is verby it’s doing. It’s now. It’s painting the chin and cheeks so the lips stand out. It’s a tongue in another mouth. To go inside your body. The i’s are quite wavy i and i and i and i and i and i. It’s slow then it’s fast. I’m thinking about the shapes the sound makes my mouth. what words do with me. ii is air muscled out. When did I suck that air iin even? iilwimi lipsing is nice to say softly against the hand. Rushy.”

A night of art writing: performance, soundings and screening by artists Carl Gent, Alison Ballance, Uma Breakdown and Halima Haruna with PaperWork Magazine.

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