Performance as Publishing

The Further Adventures of Parlando, Melisma and the Cookie Monster, Frieze Magazine

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“The voice has a material form: air molecules that, when vibrated in the throat, act on the ear. If the voice can be thought of as the original instrument then it follows that it is also the first material we play with. Can we think of the voice as a material like clay, paint or steel? It can certainly be stretched and pulled, modulated over time as timbres shift and accents are gained or lost. We believe in the voice as inalienable, unique like a fingerprint.”

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